xAnts

Eva Victor, the writer, director, and star of the darkly comedic film 'Sorry, Baby,' sat down with UPI to discuss the movie's unique brand of humor and its pointed critique of institutions failing trauma survivors. 'Sorry, Baby,' hitting theaters this Friday, isn't your typical comedy; it utilizes sharp wit and absurdity to expose the shortcomings of systems meant to support vulnerable individuals.

The film follows Millie (Victor), a relentlessly optimistic woman who navigates a series of increasingly bizarre and frustrating encounters with various support services intended to aid survivors of trauma. Millie’s unwavering positivity, even in the face of blatant incompetence and indifference, becomes a source of both humor and profound discomfort for the audience. Victor explains that the film’s humor isn’t about mocking the individuals themselves but rather the structures and policies that allow these failures to persist.

“It’s about punching up, not punching down,” Victor clarifies. “We’re not making fun of the people who are struggling; we’re making fun of the institutions that are supposed to be helping them but often fail miserably. It's about the systemic issues, the bureaucratic red tape, and the overall lack of empathy that can plague these organizations.”

'Sorry, Baby' draws heavily from Victor's own experiences navigating the support system after surviving a traumatic event. She emphasizes the importance of portraying the complexities of trauma and recovery with honesty and nuance. The film doesn't shy away from uncomfortable truths, and its darkly comedic tone allows it to explore these difficult subjects in a way that is both engaging and thought-provoking.

The film’s humor is particularly effective because it’s rooted in reality. Victor highlights the absurdity of certain situations she encountered, exaggerating them for comedic effect while still maintaining a core of truth. The audience can recognize the familiar frustrations of dealing with unresponsive bureaucracies and the feeling of being lost within a system that’s supposed to be there to help.

'Sorry, Baby' promises to be a film that will resonate with audiences long after the credits roll. It's a timely and relevant commentary on the importance of accountability and the need for institutions to prioritize the well-being of those they serve. Victor’s performance is captivating, and her vision for the film is both bold and insightful. Don’t miss 'Sorry, Baby,' in theaters this Friday – it’s a comedy with a conscience.

Beyond the Laughs: A Call for Change The film’s impact extends beyond entertainment. Victor hopes ‘Sorry, Baby’ will spark conversations about the need for reform within trauma support systems and inspire audiences to demand better care for survivors. The film is not just funny; it's a call to action.